Ernst Haas (1921–1986) is acclaimed as one of the most important figures in 20th century photography and is considered a pioneering artist in color photography.
The estate is comprised of over 250,000 color transparencies; 100,000 black and white negatives; and extensive correspondence and writings.













Though he began his career working with black and white. Following the tradition established by Henri Cartier-Bresson, who focused heavily on the decisive moment and rich monochromatic tonality, Haas would receive worldwide recognition for his early work documenting the homecoming of Austrian prisoners of War. Haas eventually moved to color, favoring its ability to work in a more metaphoric, poetic vein that photographers like Saul Leiter and Eliot Porter were examining.
A significant amount of Haas’s output throughout his career landed in the pages of mainstream magazines such as Life, Look and Esquire. But in addition to this more commercial work, Haas was always making photographs for himself. It is these photographs that the German publisher Steidl has brought together for the new book, Ernst Haas: Color Corrections. The book shows mostly unseen work by Haas, work that is at once rich in color and texture as well as being more edgy and experimental than much of the work he became known for during his lifetime.














“There are two kinds of photographers: those who compose pictures and those who take them. The former work in studios. For the latter, the studio is the world…. For them, the ordinary doesn’t exist: every thing in life is a source of nourishment.” – Ernst Haas.
Contact:
The Ernst Haas Studio
853 7th Avenue, Room 10B
New York, New York 10019
info@ernst-haas.com


































































































































































Absolute master
Meraviglia!